1. The Community Pages are important to JazzLegends.com. We need your donations to continue it and to continue to welcome members like Evan Shulman, son of Eddie Shu. I am spending at least one hour per day, seven days per week, deleting the spammers that seem to find the site attractive, in order to make it easier for members to use.

2. Postage has gone up. Overseas postage has more than doubled. We want to keep going at the site, and I am urging–overseas visitors especially–to order more than one item. Otherwise, I end up losing money on every order. This can only continue for so long.

3. What you get at JazzLegends.com: From time to time, we still get a complaint that says something like: “I thought such-and-such a title was a commercial issue, with full-color art, detailed notes and state-of-the-art sound.” If that’s what you want, look elsewhere. Nothing we have, with the exception of long-deleted LPs that have never been issued on CD, was ever commercially issued. And if you’re concerned that some of the film footage on our DVDs looks as if it’s 75 years old, that’s because it is.

4. I continue in my pledge to find those rarities and new discoveries that no one thought existed. Help me out, will you? Order stuff, make a donation or both.

Have a swingin’ spring and beyond,
Bruce Klauber

There are a number of you who haven’t received orders that date back weeks. First, you have my sincere apologies and my pledge that everyone will get everything they ordered.

Second, an explanation: Many of you are aware of my health problems and the financial hardships it’s caused.

It has recently gotten worse, in that I have had to leave my home after 15 years and move in with my brother and his friend in a small neighborhood in Philadelphia. I am sleeping on the couch, and believe me, I am grateful for it.

A good deal of these problems were of my own making, so I don’t ask for sympathy…just patience and understanding.

I am in the process of relocating my duplication equipment to a suitable workspace so I may resume fulfulling each and every order I received.

I am asking you, from the bottom of my heart, not to report me to the Better Business Bureau or to PayPal.

Most of you know that I am as honest as the day is long, and though it is embarrassing for me to share this rather personal information on a public basis, I believe I do owe it to each and every one of you.

Again, I beg for your patience and understanding. I will make good on everything, and that’s a promise.

God bless and keep swingin’

Bruce Klauber

We have recently arrived back in Naples, FL, and before I could even get comfortable, I received a call from my editor at the Naples Daily News asking if I would review the upcoming Charlie Daniels Band concert at The Naples Philharmonic Center for the Arts. I’m pretty much open to any kind of music these days–as long as it’s played well–and though I wasn’t overly familiar with Daniels, I figured, what the heck. While I could have done without his redneck rhetoric about Jesus, the flag, hanging criminals from a tall tree with a short rope–and a bit of gay-bashing thrown in for good measure–there was no getting around the fact that this group is superb. Sure, the 72-year-old singer/songwriter/guitarist/violinist did his few country hits, and a tribute to Johnny Cash as well, but a good amount of what was played was a Latin/Southern rock/western swing/jazz/fusion hybrid that swung, was expertly executed and darned impressive. Those who thought they were in for a night of good ol’ country fiddlin’ may have been disappointed. I was impressed and surprised. Most of you know that fusion, of any kind, isn’t easy to play. Daniels and his five talented sidemen made it look easy. As he said during a recent interview about his plans for the future, Daniels said, “Heck, I might even make a jazz album.” He should. If Willie Nelson can do it, so can Charlie Daniels.

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You may have noticed that we have lowered the price of everything to $10. Given the terrible economic climate, it’s the least we could do. So please order early and often–and try to order more than one item, please– and be patient with delivery. It will get there, and if anything is wrong, we will make it right. In our complaint department, we receive, from time to time as you all know, complaints about DVDs freezing or sometimes not playing at all. More than a few of our “in the know” customers have said that the stick-on disc labels we use might be the source of the problem. For that reason, we’re suspending their use and we are simply using a black marker to indicate the title. Let’s see how this works.

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Word has come that pianist Dave McKenna has passed away at the age of 78. McKenna was one of the giants of the keyboard and one of the real individuals. He had an instantly identifiable sound and touch and was possibly one of the last, two-handed players. Indeed, he was an orchestra unto himself and was stylistically beyond categorization. JazzLegends.com visitors may be familiar with his stellar work with Krupa on “Hey Here’s Gene Krupa” and on the live set recorded at “The Inn Club.” He spent some time with Charlie Ventura as well. We are taking the liberty of reprinting Dave McKenna’s bio from his web site. Rest in peace, Dave, and keep swingin’.

DAVE McKENNA: 1930-2008

Dave McKenna was simply one of the legends of the jazz piano. He, of course, would probably have disagreed. “I don’t know if I qualify as a bona-fide jazz guy,” he said. “I play saloon piano. I like to stay close to the melody.” His humility and laid-back personal style seemed a contrast to the vibrant vitality of his masterful piano style. His range is truly extraordinary. One minute he is caressing a lovely ballad, the next he is thundering and rumbling through a high-powered rendition of “I Found a New Baby.”

Dave was born in Woonsocket, Rhode Island, into a musical family. His father William McKenna, a postman, played the drums part-time, and two sisters are singers. His mother, Catherine Reilly McKenna, was Dave’s first piano teacher. In additions to being a good piano player, she was a fine violinist as a young woman. He also took lessons from Preston “Sandy” Sandiford in Boston, a fine piano teacher Dave liked very much. He explains that he developed his trademark left-handed bass style because “I wanted to hear something like what I heard on the records.”

Dave began his career with Boots Mussulli Band, then left home to play with the Charlie Ventura band, followed by a stint with Woody Herman. After two years in the army, he returned to Charlie Ventura’s band, then worked with Gene Krupa, Stan Getz, and Zoot Sims and Al Cohn. He often worked with Bobby Hackett, including some gigs at Eddie Condon’s in Manhattan, playing what Hackett called “Whiskeyland Jazz.” Among Dave’s biggest influences was Nat King Cole, who remains one of his favorites to this day.
While working with Bobby Hackett, Dave discovered the pleasures of Cape Cod. He and his wife Frankie moved to the Cape in 1966 with their sons Stephen and Douglas. The move changed his career as well as his address – he worked less frequently with bands and more often as a solo pianist, but he still spent a great deal of time on the road.

Dave’s musical magic found a wider audience through recordings, from his first solo recording on ABC records in 1955 to his wonderful work in the 70s for Chiaroscuro Records and then for Concord Jazz. In the 1980s, Dave’s many fans could enjoy his magnificent medleys six nights a week at the Plaza Bar at the Copley Plaza Hotel in Boston, where he was pianist-in-residence.

Dave has traveled all over the world to play festivals, cruises and concerts, and Boston-area fans always considered it a rare treat when he did perform close to home, either solo or with noted jazz artists including Dick Johnson, Gray Sargent, Marshall Wood, and Donna Byrne. Although he was no longer performing the last few years, he always appreciated the support and kind words he has received over the years from his many fans all over the world. Those of us who had the privilege to know him, whether personally or through his music, will miss him terribly.

AFTER HOLIDAY BLOW-OUT
Each and every item: $15**
Friday, Saturday and Sunday only
**two-item minimum

Get all the DVDs, CDs and books you’ve always wanted at a once-in-a-lifetime bargain price, with free shipping, of course.

Visitors to this site over the past several months have certainly noticed some changes. We know they are for the better. JazzLegends.com has never looked better, it approaches “state of the art” but in many ways remains simple to use. Our resident genius, Terry McKyton, is responsible for all the artistry on these pages. As The Stooges would have said, “He’s the best web designer whoever web designed.” I urge each and every one of you in the musical community to get in touch with Terry. He will, without doubt, take care of business in your behalf, no matter how simple or complex. 

New products and/or “discoveries” are being added regularly, not only by Gene Krupa, but from those associated with him through the years like Jo Jones, Charlie Ventura, Anita O’Day, Eddie Shu, and various others. We hope to expand in this area as time goes on with product by other drummers–look for some Cozy Cole soon–and other instrumentalists. Gene was a great, great talent scout. Let’s remember all those he started over the years, from Anita O’Day and Charlie Ventura to Bobby Scott and Dave Frishberg. At the same time, we’re always on the lookout for “rare finds” by Gene. 

A great example of this, and how difficult it can be to actually get something out to the marketplace, is something we’re currently working on. This discovery comes to us from the great drummer, great friend and researcher extraordinaire, Las Vegas’ own Paul Testa. Paul discovered the actual existence of an unaired television pilot from 1962, entitled “Championship Jazz.” Years ahead of its time in terms of “reality television,” the program planned to pit two jazz groups against each other, with the winner receiving a cash prize. This pilot, hosted by the Voice of America’s Willis Conover, featured–are you ready for this one?–The Dukes of Dixieland versus The Gene Krupa Quartet. Wow! Getting a copy of this “find,” isn’t that easy, however. In order to release a copy, the archive in which it is located requires written permission from the copyright holder, or, if it is not copyrighted, written proof from the Library of Congress that it was indeed never copyrighted. This is a time consuming, frustrating and expensive task from this end. Even though JazzLegends.com has done much on behalf of the Krupa Estate over the years, and even though we do have written permission and blessings of the good folks who own the “name” The Dukes of Dixieland, that is still not enough. We know about proper channels and respect them. Rest assured that this “Championship Jazz” program will see the light of day on this web site. 

In other news for the fall season, look for an upcoming Hudson Music release of a “Tribute to Steve Gadd” DVD. This tremendous program is not only a docu about Gadd’s life and many accomplishments, but a presentation of the live show that took place last September at the Berklee School in Boston, sponsored by Zildjian, with Bill Cosby, Paul Simon, James Taylor, Vinnie Coliuta, David Sanborn, and many, many more. I am proud to have been associated with this remarkable drummer and what I know is a remarkable production. That evening was an unforgettable one, and getting to “hang” with Louis Bellson, Steve Smith, Freddie Gruber, and especially Elvin Jones, was an evening I’ll cherish forever. Elvin Jones will be missed by all of us. In the course of musical history, few artists could be called true innovators. Elvin could. One of our great sponsors, Drum Radio, has a wonderful Elvin Tribute on the DrumRadio.com web site. Please tune in. 

Also in the works is a Hudson Music “Tribute to Lionel Hampton” DVD, to be narrated by vibist Mike Mainieri and the “world’s greatest drummer,” Steve Smith. Fortunately for us, there’s a lot of great Hampton footage out there, and we will be able to present film from the 1930s, 1940s, 1950s, 1960s, 1970s, 1980s, and yes, the 1990s. We look forward to working with Mike Mainieri on this project. Mike, of course, was the vibist with Buddy Rich’s great small group of the late 1950s and early 1960s. Though he virtually pioneered what we now know as “fusion,” Mike could outswing just about anyone when he wanted to. 

Those of our supporters who have chosen to order with their credit card on the web by using PayPal, have noticed that the system has finally become very, very simple to use. No one has to join PayPal or sign up for anything in order to buy products with your credit card. Safety? In five years of using this system, JazzLegends.com has never, ever had a problem. 

Please let us know what you’d like to see on this site in terms of products you’re looking for, suggestions for ease of use, or any thing else you may have on your mind. Contacting us via e-mail is easy and we respond to each and every question or comment. Note that if you don’t see a certain CD or video by Gene, Buddy or someone else on the web site, that doesn’t mean we don’t have it. Chances are we do. Just ask. 

Bruce Klauber